We all love
the folk-horror masterpiece that is The Wicker Man, not the atrocious 2006
remake starring Nicholas Cage obviously, but the 1973 original by Hammer Films;
starring Edward Woodward, Christopher Lee, Ingrid Pitt and featuring what
reputed to be Britt Ekland’s bare bottom.
The film’s soundtrack, largely composed by
Paul Giovanni and performed by Magnet, is an essential component, creating atmosphere
and suspense throughout the film, as well as containing a number of unique folk
songs, the undeniable influence from which has rippled within the fabric of
the British folk and psych scenes throughout the following decades; stand-out
tracks being covered by artists as diverse as The Sneaker Pimps and Marked & Joff.
Matt Berry likes The Wicker Man also, he
likes it very much indeed, especially the soundtrack. His third album (the
second on Acid Jazz Records), Kill The
Wolf, explores this fondness for all things ‘Wicker’ (in fact the atrocious 2006 remake starring
Nicholas Cage would have been ten times better if they’d waited for seven years
and used Kill The Wolf as the soundtrack).
It isn’t all ‘hey nonny’ and mandolins
however, a creeping ‘prog’ subtext underpins the album, the serious musician
sharpening his steel with lengthy and melodic instrumental passages that might win
kudos with connoisseurs of Floyd or Yes.
His ear for a catchy tune, apparent on
the preceding album Witchazel, is
still in evidence; Medicine and The Signs are both songs with strong
hooks and memorable choruses. But it is the overwhelming Englishness, the wicker-drenched
harmony and detail that is undoubtedly this records strength, you can almost
smell the henbane, taste the willow bark, lose yourself in a maze of bramble
hedges and shadowy Kentish woods.
Available in gate-fold as well as single
vinyl formats, plus the obligatory compact disc, this album may prove to become
a classic in its own right, a source for a new generation of hipsters to study
and cover.
Caution is advised, when listening, if the moon is full.
Caution is advised, when listening, if the moon is full.
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