Man, love it like
sunshine or weather it otherwise, it’s the jazz in the cracks of the pavement
of life that puts skips in the step and a bounce in our soul; mind grease, to
free up the cogs, the dirt and the rust, the oil that eases the pains of the
day, that pays the way for the ferryman’s greed, free-form feet streaming street
currency; it’s honk, melodic and lithe, for the crossing, for the flight, so we
soar with the horn hop, with the be-bop, with the grind of the hard stops, jazz
chops, fusion, a dad-a-boom beat baby bass sweating funk storm, strum along sex
sax sing-song time changes, time changing, notes between notes between the note,
slow to the fast to the free in the whole key, syncopation of style, speeding
and locked, riff like your blocked, modern and trad with the beats and the mods
by the old and the young for the everyone, for the thrill, organ groove and mood
swing, the easy listening chill; ever onward and always moving, crazy. (Searle (2013)).
The re-emergence in interest of everything in and around the
‘beat generation’ has recently witnessed, finally, a feature length movie of
the ‘beat bible’, Jack Kerouac’s - On The
Road, to add to Hollywood’s fascination with the subject - (Howl by Allen Ginsberg and William Burroughs Naked Lunch and Drugstore Cowboy).The soundtrack to these movies have always been a
bedding of Bebop Jazz and Freeform riffery; Acid Jazz Records, often a sonic
refuge for modern day beatniks and new ‘bo-ho’s’, has now revived it’s Mo Jazz series, creating a fresh take
on the filmic jazz compilation. Updating the traditional, ‘hard-core jazz enthusiast
only’ snobbery, to include some more accessible styles; to create a record with
something for everyone, a compilation that is, in every sense, listenable.
Dance- floor
DJs will enjoy Laurent Doumont’s - Everything I
Do’s Gonna Be Funky (video below), Derek Chai introduces a ‘pop’ flavour in his song- Live Again, and Richard Bundy performs
the beautiful ballad – Wine Cups; Rosa Brunello leads a freeform ensemble from
behind her double bass, Nigel Price displays why he’s one of the country’s
finest jazz guitarists, plus many more including the magnificant combo, (also featuring Nigel Price), The Filthy Six.
Skarooni.
References:
Searle Richard (2013) Mo Jazz 2. Acid Jazz Records. London.
References:
Searle Richard (2013) Mo Jazz 2. Acid Jazz Records. London.
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